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Used. Very Good conditions. May have soft reading marks and name of the previous owner.

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Thames & Hudson, 1985. Hardcover. Book Condition: Mint. Dust Jacket Condition: Great . Due to the weight of this item (1.75 kg).

Occasion - Tr?s Bon Etat - Kurt Schwitters Ray Johnson. Merz et Moticos (2012) - Grand Format

German painter, author, and mixed media artist Kurt Schwitters (1887–1948) is regarded as one of the most significant artists of the international avant-garde. He studied art at the Dresden Academy, and created the nonsense word “Merz,” to describe his one-man artistic movement after the end of the first World War. Merz, as defined by Schwitters, is a “concept of the greatest possible unreservedness and artistic freedom in the choice forms of expression. Merz art is abstract and characterized by the way it crosses borders within the media.”  Drawing on a wealth of rich material held by the artist’s estate, this book provides an informative introduction and overview to Schiwtter’s entire Merz oeuvre, from the experimental magazine of the same name, which is celebrated as a noteworthy work of graphic design to his work on constructivism and surrealism, including aspects of painting, sculpture, and typography that were a precursor of modern installation art. Including 80 color illustrations, this book will engage fans of Schwitters work and reinvigorate interest in his innovative art.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

The influence of Kurt Schwitters (1887-1948) permeates the art, literature and music of the past century as profoundly as any of his contemporaries. Hero of Dada, Constructivist virtuoso, patron saint of collage, sound poetry and installation art, Schwitters made his greatest impact in the postwar era--while he himself was living in relative seclusion in the north of England--influencing American Pop art (especially Robert Rauschenberg's Combines), Fluxus and assemblage art throughout Europe and America; artists as different as Damien Hirst and Ed Ruscha cite him as an influence. This volume is the first serious broad survey of Schwitters' work in 25 years, and attests to his omnipresent influence today. It draws on recent research into the Merzbau interiors, and gathers all aspects of his output, from collage to typography and architecture, into one glorious testimonial to Schwitters' libidinously prolific oeuvre. With texts by British art historian Roger Cardinal and Schwitters scholar Gwendolen Webster, this volume presents a new Schwitters for our times.

Madrid. 29 cm. 116 p. il. col. y n. Encuadernación en tapa blanda de editorial ilustrada. Schwitters, Kurt 1887-1948. Exposiciones. Fundación Juan March .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-7075-248-0

German painter, author, and mixed media artist Kurt Schwitters (1887–1948) is regarded as one of the most significant artists of the international avant-garde. He studied art at the Dresden Academy, and created the nonsense word “Merz,” to describe his one-man artistic movement after the end of the first World War. Merz, as defined by Schwitters, is a “concept of the greatest possible unreservedness and artistic freedom in the choice forms of expression. Merz art is abstract and characterized by the way it crosses borders within the media.”  Drawing on a wealth of rich material held by the artist’s estate, this book provides an informative introduction and overview to Schiwtter’s entire Merz oeuvre, from the experimental magazine of the same name, which is celebrated as a noteworthy work of graphic design to his work on constructivism and surrealism, including aspects of painting, sculpture, and typography that were a precursor of modern installation art. Including 80 color illustrations, this book will engage fans of Schwitters work and reinvigorate interest in his innovative art.

Traces the life and career of the German artist, discusses his aesthetics, and shows examples of his assemblages, paintings, and sculpture

We sell Rare, out-of-print, uncommon, & used BOOKS, PRINTS, MAPS, DOCUMENTS, AND EPHEMERA. We do not sell ebooks, print on demand, or other reproduced materials. Each item you see here is individually described and imaged. We welcome further inquiries.

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German artist Kurt Schwitters began constructing the Merzbau, a combination of collage, sculpture, and architecture, in a corner of his studio in Hannover, Germany in 1920. Also called the Cathedral of Erotic Misery, this was Schwitters's private world. It eventually took over his entire living quarters, the apartment above, and part of the yard, and was divided into rooms-the Biedermeier Room, the de Stijl Room, the Goethe Cave, the Mondrian Cave, and the Mies Cave, among others. It was destroyed during an Allied bombing raid in 1943. Although the Merzbau is of essential importance in understanding the early Modern Movement, this is the first in-depth study in English of this structure. Elizabeth Burns Gamard discusses its physical evolution and its significance within the artist's oeuvre. She also investigates its larger relation to German Expressionism and romanticism and to critical thought of the time. This book offers an in-depth analysis of a single structure through original documents, drawings, and critical examination of the design process.

Traces the life and career of the German artist, discusses his aesthetics, and shows examples of his assemblages, paintings, and sculpture

uk1st.edition.1st.printing.vg softwraps original.room

Written in memory of the German collagist, painter, sculptor, and writer, Kurt Schwitters (who referred to all of his works as Merz; a syllable taken from the advertisement for the Kommerzund Privatbank and included in all his earliest assemblages), this is a series of visually arresting verbal collages from America s foremost experimental poet of the last 30 years. Lacing together words, word fragments, and phrases all relating to Schwitters and his work, some computer generated this is a landmark celebration of the Dada spirit in modern poetry. 42 Merzgedichte is yet another masterful work from the inventor of a prolific range of systematic chance operations for poetry and one of the most unique voices of modern literature.

Book is in NEW condition. 3.05

Unread book in perfect condition.

Kurt Schwitters (1887–1948), one of the most influential European avant-garde artists to come to prominence in the years between the World Wars, is seen here not as an artist in isolation but as part of a network of other refugee artists and figures in the European avant-garde. Associated at various times with Dada, Constructivism, and Surrealism, Schwitters produced paintings, collages, sound pieces, sculpture, and installation works, as well as journalism, criticism, poetry, and short stories. This book concentrates on Schwitters’s lesser-known late works, made during his time in Britain, but sets the scene by recounting and summarizing his earlier achievements.Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain. The last 8 years of his life were intensely productive, and culminated in his famous Merz Barn installation in England’s Lake District.

Kurt Schwitters revolutionized the art world in the 1920s with his Dadaist Merz collages, theater performances, and poetry. But at the same time he was also writing extraordinary fairy tales that were turning the genre upside down and inside out. Lucky Hans and Other Merz Fairy Tales is the first collection of these subversive, little-known stories in any language and the first time all but a few of them have appeared in English. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, this book gathers thirty-two stories written between 1925 and Schwitters's death in 1948--including a complete English-language recreation of The Scarecrow, a children's book illustrated with avant-garde typography that Schwitters created with Kate Steinitz and De Stijl founder Theo van Doesburg. Lucky Hans and Other Merz Fairy Tales also includes brilliant new illustrations that evoke the 1920s, 1930s, and 1940s. Schwitters wrote these darkly humorous, satirical, and surreal tales at a time when traditional German fairy tales were being co-opted by the Nazis. Filled with sharp critiques of German life during the Weimar and early Nazi eras, Schwitters's tales are rich with absurdist events and insist that not everyone--and perhaps not anyone--lives happily ever after. In "Lucky Hans," the starving protagonist tries to catch a rabbit only to have it shed its fur like a coat and run off naked into the forest. In other tales, a sarcastic gypsy stands in for a fairy godmother and an army recruit is arrested for growing to monstrous size.Lucky Hans and Other Merz Fairy Tales is a delightfully strange and surprising book.